Monday, May 30, 2011

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Numerical Experiments on the Flow Past a Circular Cylinder at Sub- Critical Reynolds Number, by Patrick Beaudan

  • Published on: 1994
  • Binding: Paperback

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Sunday, May 29, 2011

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Secret Language of the Renaissance Decoding the Hidden Symbolism of Italian Art [HC,2006], by Richard Stemp

  • Published on: 2005-10-28
  • Binding: Hardcover

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Thursday, May 26, 2011

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Pattern-oriented Software Architecture: A System of Patterns, by Frank Buschmann, Regine Meunier, Hans Rohnert, Peter Sommerlad

  • Sales Rank: #10335547 in Books
  • Published on: 1996
  • Original language: English
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Paperback

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Tuesday, May 24, 2011

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Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story structure secrets for writing your BEST book (Volume 3)

Are you finally committed to writing that novel or screenplay, but have no idea how to get started? Or are you a published author, but know you need some plotting help to move your books and career up to that next level?

You CAN write better books and scripts--by learning from the movies. Screenwriting is based on a simple (and powerful) structure that you already know from watching so many movies and television shows in your lifetime. And it's a structure that your reader or audience unconsciously expects, and is crucial for you to deliver.

In this textbook of the internationally acclaimed SCREENWRITING TRICKS FOR AUTHORS workshop, award-winning author/screenwriter Alexandra Sokoloff will show you how to jump-start your plot and bring your characters and scenes vibrantly alive on the page by watching your favorite movies and learning from the storytelling tricks of great filmmakers:

     * The High Concept Premise
     * The Three-Act, Eight-Sequence Structure
     * The Storyboard Grid
     * The Index Card Method of Plotting
     * The Setpiece Scene
     * Techniques of film pacing and suspense, character arc and drive, visual storytelling, and building image systems.

Based on the internationally acclaimed Screenwriting Tricks for Authors workshops and blog, this new print edition incorporates all the basic information from the first Screenwriting Tricks for Authors workbook and doubles the material, including ten full story breakdowns. The textbook-quality edition is 8 x 10 inches and lies open flat for easy highlighting and note-taking.

For information on books, workshops, and free Story Structure extras, go to ScreenwritingTricks.com

REVIEWS:

"Alex Sokoloff's STEALING HOLLYWOOD is the owner's manual that belongs in every writer's toolkit. Alex dissects the elements of story-telling with clarity, wit and wisdom. Don't thank me--buy the damn book!"
     --Mary Kay Andrews, New York Times bestselling author of Ladies' Night and Summer Rental
 
"I'd already written fifteen novels by the time I met Alex and discovered her unique approach to structuring fiction. She changed my entire writing process for the better. I couldn't live without my three-act storyboard! Alex is a gifted and generous teacher and author, and STEALING HOLLYWOOD is a must-have book for new and seasoned writers alike."
     --International bestselling author Diane Chamberlain

"Sokoloff's advice is spot-on, and her teaching style is direct and effective. A must-have book for authors and screenwriters."
     --JA Konrath, bestselling author of A Newbie's Guide To Publishing

"Whether you're an old pro or an apprehensive beginner, Alex Sokoloff offers a sensible nuts-and-bolts approach that puts you in control of your material."
     --Margaret Maron, Edgar®, Agatha, Anthony & Macavity Award-winning author of the Deborah Knott mysteries

"Sokoloff is a generous mentor with the gifted ability to address a storyteller's practical concerns while encouraging artistic integrity and every author's unique voice. Only three of my half dozen novels have been written with her unwitting guidance, but I can guarantee that with this book at my fingertips, all my future work--and my reading audience--will benefit from her advice. Recommended without reservation."
     --Vicki Pettersson, bestselling author of the Sign of the Zodiac series

  • Sales Rank: #176294 in Books
  • Published on: 2015-08-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .91" w x 8.00" l, 1.76 pounds
  • Binding: Paperback
  • 404 pages

Review
"STEALING HOLLYWOOD is the owner's manual that belongs in every writer's toolkit. Alex dissects the elements of story-telling with clarity, wit and wisdom."
     --Mary Kay Andrews, New York Times bestselling author

"Alex's unique approach to structuring fiction changed my entire writing process for the better. STEALING HOLLYWOOD is a must-have book for new and seasoned writers alike."
     --International bestselling author Diane Chamberlain

"A must-have book for authors and screenwriters."
     --JA Konrath, bestselling author of A Newbie's Guide To Publishing

From the Author
Table of Contents

Introduction

PART ONE: STORY STRUCTURE

1. The Master List
2. What's Your Premise?
3. First, You Need An Idea
4. What KIND of Story is It?
5. The Three-Act, Eight-Sequence Structure
6. The Index Card Method and Structure Grid
7. Elements of Act One
8. Hero/ine, Protagonist, Main Character
9. Protagonist Case Study: Jake Gittes
10. What Makes A Great Villain?
11. Villains, Part 2: The Forces of Antagonism
12. Act Two: What's the PLAN?
13. Elements of Act Two, Part 1
14. Elements of Act Two, Part 2
15. Elements of Act Three
16. What Makes A Great Climax?
17. Story Elements Checklist
18. Narrative Structure Beat Sheet
19. Act Climaxes Breakdowns and Examples
20. A Process for Writing
21. Story Elements: Questions and Prompts

PART TWO: MORE SCREENWRITING TRICKS

22. Visual Storytelling
23. Visual and Thematic Image Systems
24. Expanding on Key Story Elements
25. Lessons from Musical Theater
26. Love Story Elements
27. Story Elements: Other Genres
28. Fairy Tale Structure
29. Meta Structure
30. What is "High Concept"?
31. Voice
32. First Chapters
33. Creating Suspense
34. Plants and Payoffs
35. The Big Twist
36. Act and Sequence Bridges
37. The Rule of Three
38. Character Introductions
39. Using Character Clusters
40. Your First Draft is Always Going to Suck
41. Top Ten Things I Know About Editing

PART THREE: STORY BREAKDOWNS

42. Harry Potter and the Sorcerer's Stone
43. Romancing the Stone
44. Chinatown
45. Groundhog Day
46. The Matrix
47. Sense and Sensibility
48. Sea of Love
49. The Mist
50. The Wizard of Oz
51. Four Weddings and a Funeral

PART FOUR: THE BUSINESS

51. How Do I Get A Literary Agent?
52. What about Indie Publishing?
53. So You Want to Know About Screenwriting
54. Life is a Pitch Meeting
55. Recommended Reading
56. Professional Author Organizations

About the Author
Alexandra Sokoloff is the Thriller Award-winning and Bram Stoker, Anthony, and Black Quill award-nominated author of eleven supernatural, paranormal and crime thrillers, including the Thriller Award-nominated Huntress/FBI series (Huntress Moon, Blood Moon, Cold Moon, Wolf Moon). The New York Times Book Review has called her a "daughter of Mary Shelley," and her books "Some of the most original and freshly unnerving work in the genre."

As a screenwriter Alex has sold original scripts and adapted novels for numerous Hollywood studios, for producers such as David Heyman, Laura Ziskin, Michael Bay and Neal Moritz. She has served on the Board of Directors of the Writers Guild of America, west, and on the Board of the Mystery Writers of America, and is the founder of WriterAction.com, an online community and resource center for professional screenwriters. She has taught story structure at Otis College in Los Angeles, and is the author of the writing workbooks Stealing Hollywood, Screenwriting Tricks for Authors and Writing Love, based on her internationally acclaimed story structure workshops and blog: screenwritingtricks.com.

She lives in Los Angeles and Scotland. When she's not writing or transatlantically commuting, she performs with Heather Graham's Slushpile Players, and dances like a fiend. And she always loves talking to readers and writers! You can find her here:

Website: alexandrasokoloff.com
Facebook: facebook.com/alexandra.sokoloff
Twitter: @AlexSokoloff
Goodreads: goodreads.com/author/show/552457.Alexandra_Sokoloff

For information on books, workshops, and free Story Structure extras, go to ScreenwritingTricks.com

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3 of 3 people found the following review helpful.
Best Book on Writing I've Ever Purchased!
By Vaunzilla
I was lucky enough to take Alexandra's class at WTWA in Canyon, TX. Admittedly I was nervous about it because I considered myself to be a pantster not a plotter. In class I even went so far as to announce that I might only listen without applying the methods helpfully outlined in her book. So not the case. I plotted a whole book from scratch in four days. Not only that, but I went back to my WIP, which had reached the soggy middle and reworked it with her structure method. Guess what? My WIP is no longer my WIP because I'm done with it. You can use as much or as little of Alexandra's technique as you like. It's a guide and a different perspective that helps you think your way through with intelligence and intent. You want this book!

3 of 3 people found the following review helpful.
Should be on every author's shelf!
By Kimberly Walton
The idea of plotting used to leave me crying in the fetal position. But this great, insightful book turned that around with a kind, encouraging voice and tips that makes even those most fervent pantster feel at ease with a plot board. This book is going to be my go-to for many stories to come!

2 of 2 people found the following review helpful.
At last: In hard copy format
By A book-reader's wife
This is the long-awaited updated, hard-copy edition of one of two supplements used in Alex's West Texas A&M summer class. A fantastic value, especially in the age of $150+ textbooks. Alex thoroughly explains the craft of plotting, including a LOT of movie analyses. She's a master and a very nice person. Anybody who's serious about writing fiction, or narrative non-fiction, needs this book. Also, if you're super-serious, her West Texas A&M class is phenomenal. She's a knowledge powerhouse, the kind of person you just want to follow around with a tape recorder because she's constantly offering some tidbit of important information about plotting, genres, archetypes and the like. She gives personal attention to each of her 15 students' plots and walks them through from opening sequence to final denouement. I took her class three times and still could take it again because her well is so deep. Also check out Writing Love, which has other movie plot analyses but, alas, is not yet in hard copy format.

See all 30 customer reviews...

Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story structure secrets for writing your BEST book (Volume 3) PDF
Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story structure secrets for writing your BEST book (Volume 3) EPub
Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story structure secrets for writing your BEST book (Volume 3) Doc
Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story structure secrets for writing your BEST book (Volume 3) iBooks
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Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story structure secrets for writing your BEST book (Volume 3) PDF

Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story structure secrets for writing your BEST book (Volume 3) PDF

Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story structure secrets for writing your BEST book (Volume 3) PDF
Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story structure secrets for writing your BEST book (Volume 3) PDF

Saturday, May 21, 2011

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From Barbarossa to Odessa: The Luftwaffe and Axis Allies Strike South-East June - October 1941, Vol. 1: The Air Battle for Bessarabia: 22 J

From Barbarossa to Odessa: Volume 1. is the first of two volumes on the air combat which took place on the southern flank of the Eastern Front following Operation Barbarossa. The period covered in this first book saw the occupation of Bessarabia and southwest Ukraine and concluded when the Germans captured the area s regional capital, Odessa, on October 16, 1941. It was one of the most bitter and intensive air campaigns fought in the east, because local Soviet commanders had dispersed most of their assets in time, thus preventing their destruction on the ground. This gave them the ability to respond effectively to the combined Axis onslaught. Accordingly, the Red Air Force was able to achieve some of its greatest successes of 1941 in this little-studied campaign.
This book covers the often overlooked involvement of aircraft from Axis states other than Germany, such as the Romanians, who claimed a total of over 600 air victories, the Hungarians, the Slovaks, and even the Bulgarians. This makes the subject varied and of great interest, particularly because of the large variety of aircraft types employed by both sides, all of which are fully documented. Aided by a large number of previously unpublished photographs, the book tells the story of the campaign from both sides and provides detailed eyewitness accounts from individual pilots who were involved in the fighting. Besides day-to-day operations, appendices will contain comprehensive victory and loss lists.

  • Sales Rank: #1448959 in Books
  • Published on: 2008-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.88" h x .25" w x 8.81" l, 1.00 pounds
  • Binding: Paperback
  • 96 pages

Review
Written by acknowledged experts on this important, but often overlooked theatre of operations, the two volumes of From Barbarossa to Odessa: The Luftwaffe Strikes South East, represent a major contribution to the available literature on the subject. The books will be essential reading for historians of the air war in the east and of the Luftwaffe and its allied air forces and aviation modellers. New, and often unexpected and controversial information continues to emerge on the massive air campaign fought over the Russian Front during World War 2. This book is the second of two volumes, the result of lengthy and meticulous study, on the air combat that took place on the southern flank of the Eastern Front following Operation Barbarossa. The period covered in these volumes saw the occupation of Bessarabia and southwest Ukraine and concluded when the areas regional capital, Odessa, was captured by the Germans on 16 October 1941. This was one of the most bitter and intensive air campaigns fought in the east due to the fact that local Soviet commanders dispersed most of their air assets in time, preventing their destruction on the ground. Thus, in this little-studied campaign, the Soviet Air Force was able to respond effectively to the Axis onslaught and achieved some of its greatest successes of 1941. The often overlooked involvement of aircraft from Axis states other than Germany, such as the Romanians who claimed a total of over 600 air victories, the Hungarians, the Slovaks and even the Bulgarians, is covered in the book. Their involvement makes this campaign of great interest because of the large variety of aircraft types employed by both sides. Aided by a large number of previously unpublished photographs, the book tells the story of the campaign from both sides and provides detailed eyewitness accounts from individual pilots who were involved in the fighting. Besides day-to-day operations, appendices contain comprehensive victory and loss lists. --Olga Federkevich

The book covers the campaign for Bessarabia in June and July 1941 and is an important addition to C. Bergström's books about the air war on the Eastern Front in that it covers the operations of some of the lesser known allies to the Germans in the form of the Rumanian, Hungarian and Slovak Air Forces in addition to the Luftwaffe and VVS. The campaign along the Black Sea coast wasn't the "walk in the park" as the initial months of Barbarossa often is pictured as. The VVS had been forewarned of the invasion and had managed to disperse their aircraft and thus wasn't as surprised as on other fronts. This also meant that they were able to strike back and offer a stronger resistance to the Axis' very mixed types of aircraft. Both Rumania and Hungary operated a "rich" variety of aircraft types and which must have been the quartermasters' nightmare. Rumania for instance used British, German, Polish and indigenous fighters in combat against the VVS! They also used French, German, Polish, British, Italian and indigenous bombers! The book is in a day-to-day account, which gives it a lasting value as a reference book to go back to in the future. The book is highly recommended and for anyone interested in either or both the air war on the Eastern Front and the minor air forces during the Second World War, it is a must! I have only one objection to the book and it is that it doesn't have any index, which is a pity since it has a rich wealth of names, which without an index is very difficult to search for. I hope that this will be added in Volume 2, which I eagerly await! --By Gustavsson Hãkan

Being used to Osprey Military style publishings, technical literature and publications presenting a military or political standpoint, i was pleasantly surprised by the in depth level of a publication which tracks down every single aircraft operation. One could use this book as reference on statistical or other military publications on "Barbarossa" or components as subject. Being a layman on the subject of aviation in general, and ww2 aviation in particular, this book restarted my interest in aviation, which was awaken briefly by Constable&Toliver's "Horrido" a few years ago and maybe will push me towards aircraft modelling, something which i stood away from so far. Some parts were, for me, sometimes cumbersome to read, as i was not familiar with many of the abbreviations, so it took me a bit to adjust, as this is not the style of book one would sit down and read for entrtainment on a rainy afternoon. I also realized that a set of good maps of the region, especially Bessarabia, are a must. However, Encarta Worldatlas did do a good job in providing me with a measuremen tool for aircraft ranges. To sum it up, I want to congratulate Denes, Dimitry Karlenko and Jean-Louis Roba for the outstanding research work made available to us readers, for an often overlooked part of the war. It is a must-to-have work for any ww2 aviation enthusiast with an interest in the eastern front and especially for an ARR fan. Keep 'em comming gents! --By dead-cat

About the Author
Dénes Bernád is an aviation historian specializing in Central and East European countries. He has published numerous books and articles in the aviation press. He currently resides in Hungary.

Jean-Louis Roba is an accredited aviation historian with several books and articles published. He currently lives in Belgium.

Dmitriy Karlenko is also an accredited aviation historian with a number of published books and articles. He currently lives in the Ukraine.

Most helpful customer reviews

14 of 14 people found the following review helpful.
ground breaking history
By John R. Beaman Jr.
Although not large in the number of pages, this book is ground-breaking in what it covers, and it covers it well. When the former Soviet archives started opening in the 1990s and into the 21st century, it finally became possible, albeit tedious, to look into details previously classified by the USSR on their WWII operational records. The author, with collaborators, has taken advantage of this and written a very readable, well-referenced narrative and dairy of the first 6 months of the 1941 airwar in the southern USSR as a part of the German Operation Barbarossa. There are good first person stories, claims and losses for the details and overall good history. This is to be followed by other volumes and we can only look forward to them.

6 of 6 people found the following review helpful.
Superb Two-Volume History of Early Russian Front Air Ops!
By Mike O'Connor
Even if this two-volume history of the air war on the southern flank of the Eastern Front from June to October 1941 wasn't bulging with rare photographs and superb color profiles, FROM BARBAROSSA TO ODESSA world deserve six stars for the incredible wealth of information it provides on its subject. Authors Bernad, Karlenko and Roba have brought together a mountain of data and produced what has to THE definitive history of Southeast Front air ops.

Air ops on the Southeast Front haven't received much historical coverage, especially the contributions to the Axis effort made by Hungary, Rumania and Slovakia. For that reason alone, air war buffs will enjoy this stellar Midland Publishing 2007/2008 release. FROM BARBAROSSA TO ODESSA utilizies previously unavailable material from a variety of Russian, German, American, Hungarian and Rumanian archives supplemented by various books and magazines unavailable in the West. That material allows the authors to create a wide-ranging chronicle that meshes information from both sides into a seamless, balanced whole.

And Bernad, Karlenko and Roba definitely manage to cram an amazing amount of material including first-person reminiscenes in the 288 pages that make up volumes one and two. It's all here: details on air combats, bombing strikes, ground attack missions, photo recce, etc. (Volume One, which covers the Air Battle for Bessarabia from 22 June-31 July 1941, runs to 96 pages. Volume Two, which deals with the Air Battle for Odessa from August to October 1941, tops off at 192 pages including a detailed index to both volumes). To be honest, my 60-year old eyes would have preferred a large font size but that's just me.

Over 220 b&w and color photographs of Bf 109s, I-153s, I-16s, He 111s, TB-3s, PZL P.11s, He 112, Ju 88s, Ju 87s, IAR 80s, Su-2s, Avia B-534s, He 70s, Po-2s, S.79s, Hurricanes, MiG-3s, Blenheims, Hs 126s and other types are featured along with shots of aircrew, ground combat, etc. Three color maps are also included along with a dozen, marvelous color profiles of Axis and Russian aircraft done by Tim Brown.

In short, FROM BARBAROSSA TO ODESSA is military aviation history at its finest. At $29.95 apiece, this two-volume history belongs on the shelves of all air war buffs especially those with an interest in Eastern Front ops. Highly recommended.

3 of 3 people found the following review helpful.
Exploration of a Little Known Part of the Airwar between Germany, Its Allies and the Soviet Union
By Bill Weizel
This book is the first volume of a two volume set that provides a little known history of an important part of the conflict between Germany, its Axis allies, and the Soviet Union during WW II. Using sources from both sides of the conflict this work explores the relationships between the various Axis air forces and their Soviet opponents.The book examines their strengths, weaknesses, orders-of-battle and describes day-to-day missions in detail. The text is supplemented with a number of interesting, never-before published photographs of aircraft used by both sides of the conflict as well as a number of aircraft color profiles. Also explored are political circumstances that brought the various Eastern European nations to Germany's side during the war. The authors, Mssrs. Bernad, Karlenko and Roba are to be commended for their attention to details through examination of archival records describing the operations of the participants in this conflict which is of use to both the layman and historian.

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Friday, May 13, 2011

[E294.Ebook] Ebook Download Escaping the Dark House: A Self-Help Memoir of Depression, by William A. Peters

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Escaping the Dark House: A Self-Help Memoir of Depression, by William A. Peters

Escaping the Dark House: A Self-Help Memoir of Depression, by William A. Peters



Escaping the Dark House: A Self-Help Memoir of Depression, by William A. Peters

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Escaping the Dark House: A Self-Help Memoir of Depression, by William A. Peters

It’s unreasonable to expect one session of therapy a week to cure a lifetime of psychologically unhealthy living. A depressive has to work on themselves in the days between therapy sessions. Their speed of improvement is dependent on an attitude of self-help. This book provides many ideas on what to do outside of therapy sessions, and what to talk about in therapy sessions. Many important lessons are shared in this book. It is both a memoir and a self-help book written for both depression sufferers and their family and friends. It will help you or a loved one escape the dark house of depression

  • Sales Rank: #4261529 in Books
  • Published on: 2015-07-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .31" w x 5.00" l, .31 pounds
  • Binding: Paperback
  • 136 pages

About the Author
William Peters is a writer, editor, and depression sufferer who lives in Seoul, Korea. He is also the author of “The Resilient Runner: Mental Toughness Training for Distance Running.” He can be found on the Internet at www.williamapeters.com.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Thoughtful and well-written
By Mike Robbins
Depression is not easily understood by those who have never had it (I have). People will not notice, or they’ll assume you’re in a foul mood. They won’t understand that when you feel an attack coming on, it’s like looking into an abyss into which you’re just about to fall. You can be very alone in that situation. Moreover depression does kill. According to William A. Peters, the risk of suicide over the lifetime of someone with major depression is around 6%. So it’s important to understand and manage your own condition if you can. Peters’s Escaping the Dark House is about doing just that. I had a couple of reservations (of which more later), but I found it thoughtful and interesting.

Peters is a Canadian software professional of about 40, has been living in Korea for some years, and has a family. He tells us that he had problems with depression at high school, and has been treated for it since he was at university. It is a part of his life. In this book, he’s taken his own experience of, and reading on, depression and produced what he says is both a memoir and a self-help book – in the latter case, for both sufferers and their friends and families.

The book is intelligently structured. Peters hangs each chapter, more or less, on a particular psycotherapy session he had and what was said, and uses that as a lead-in to what he’d like to discuss. Thus he starts with a talk he had with the therapist on free association, and uses this as a peg to explain what that is and how it underlies therapy. The following chapters work the same way, introducing (for example) the problem of intrusive and unpleasant thoughts, insomnia, procrastination and anger as they relate to depression. He also states, along the way, what medication might be used to treat those phenomena in a depression context, why, and what their side- and long-term effects are – useful information for the patient to have.

A major strength of this book is its empathy. Reading Escaping the Dark House, I kept having sudden flashes of understanding into my own traits and those of others. Peters’s analysis of the links depression may have with procrastination and anger are especially interesting. That he can do this is a measure of his understanding of his subject, but also of his powers of self-analysis. It also reflects his skill as a communicator. The book (which is not over-long) is well-written, and, as mentioned earlier, well-structured. He also scatters likeable quotes through the book – most notably from Seneca, who I would now like to know more of.

There are a couple of things in the book that I’m not so sure about. There is heavy stress on psychotherapy – not necessarily as the only treatment, but it’s there throughout the book. But the acceptability of therapy is culturally moderated. For some people it’s not okay to talk about yourself like that, even though therapy is not meant as self-indulgence. There are also several schools of thought around different methods, and followers of different pioneers (Peters does acknowledge this). And there is not much in the book about possible physical triggers for depression, although it is covered to some extent in the discussions of medication (and in any case would be a difficult subject for a lay writer).

Also, I was taken aback at Peters’s suggestion at the end of the book. “Now that I’ve finished a book on overcoming depression,” he says, “I’m going to drop a bomb on you: I don’t believe depression can be cured; not with our current knowledge of human psychology. The best that can be done at the current time is to reduce its symptoms to a minimum.” Is that true? The key words here are “I don’t believe”; Peters has mostly referenced his chapters to experts in the field, but this statement he is careful to present as his own. He isn’t claiming the support of the medical establishment, simply stating the way he feels. I’m not qualified to say whether he’s correct.

In any case, Escaping the Dark House probably shouldn’t be taken literally every way. While it is a self-help book, Peters emphasizes that it is not intended as a substitute for qualified advice. What it is, is a clear, helpful and humane presentation of one man’s experience and what he has learned, through both research and experience, along the way. I thought this a worthwhile book. Despite some reservations, I’ve given it five stars.

2 of 2 people found the following review helpful.
A Surprising Good Read.
By Jacob Carlisle
This is a surprisingly (to me) good read that deals with depression in some depth but is not overly technical in the discussion of the illness. My eyes glazed over in a few areas when the author was giving a run-down on various drugs and their effectiveness/usage etcetera, which is probably why I didn't give this one five stars.
The book is well researched and very skilfully written, and I found the author’s style engaging and inclusive. I felt that we were on a journey together, one I was happy to be on. I think what made this so was the technique of using a diary to bring out key points of interest from the sessions with his therapist. An interesting relationship that one.
William A. Peters is brave to have written such an honest and open text about the challenges he faces. I, myself, suffer from depression and the suggestions he puts forward for management of the illness are in the main sensible. I am less comfortable with his discussions and analysis of the impacts of various medical treatments.
I really enjoyed Escaping the Darkhouse. This is a book that will be appreciated by anyone suffering from depression, as well as family and friends who would gain insight into the disease and reach a better understanding of its impact on those affected.
I was provided with a copy of this book by the author in return for an honest review.

2 of 2 people found the following review helpful.
Highly Recommended
By Page LaRue
This is part memoir, part self-help tips, and part information about depression that most people probably don’t know. I found it very interesting and I think it would be helpful for anyone who suffers from depression or has a loved one who suffers from depression (which would probably be, like, everyone).

Just one representative snippet from the book: “… Sadness comes, however, without distortion. It involves a flow of feeling and therefore has a time limit. It never involves a lessening of your self-esteem. Depression is frozen- it tends to persist or recur indefinitely, and always involves a loss of self-esteem.” Good, useful, common sense there, yes?

Mr. Peters included what went on at some of his therapy sessions and things he did at home to stay on track as well.

I highly recommend this book.

*I received a free digital copy of this book in exchange for an honest, review.*

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Thursday, May 12, 2011

[A176.Ebook] PDF Download International Marketing, by Vern Terpstra; James Foley; Ravi Sarathy

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International Marketing, by Vern Terpstra; James Foley; Ravi Sarathy

Book by Vern Terpstra, James Foley, Ravi Sarathy

  • Sales Rank: #92205 in Books
  • Brand: Brand: Naper Publishing Group
  • Published on: 2012
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Paperback
  • 600 pages
Features
  • Used Book in Good Condition

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Saturday, May 7, 2011

[K608.Ebook] Ebook Download The Knowledge-Creating Company: How Japanese Companies Create the Dynamics of Innovation

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The Knowledge-Creating Company: How Japanese Companies Create the Dynamics of Innovation

  • Sales Rank: #3524866 in Books
  • Binding: Hardcover

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Friday, May 6, 2011

[W760.Ebook] Download Pipe Line Rules of Thumb Handbook: A Manual of Quick, Accurate Solutions to Everyday Pipe Line ProblemsFrom Gulf Pub Co

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Providing quick and accurate solutions to pipe line problems, this comprehensive volume also covers new information on a variety of techniques and developments in the pipe line industry. Material has been added to the existing sections on welding, electrical design and corrosion. New articles in this edition cover: calculating the length of pipe in bends; spacing and pipe supports; pipe threads; commissioning petrochemical lines; vacuum drying; variable orifice rotary control valves; relief valve selection, sizing, installation and testing; calculating the properties of liquids; calculating pressure and temperature losses for viscous crudes; transient pressure analysis; reciprocating pumps; and risk assessment.

  • Sales Rank: #895060 in Books
  • Published on: 1993-01
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x 1.25" l,
  • Binding: Paperback
  • 528 pages

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0 of 0 people found the following review helpful.
All OK!
By matt
Everything ok and on time. Thank you. This is what i expected.
Pipe line rules of thumb handbook. A manual of Quick solutions.

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Thursday, May 5, 2011

[F727.Ebook] Free PDF An Iliad, by Alessandro Baricco

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An Iliad, by Alessandro Baricco

A bold reimagining of our civilization’s greatest tale of war, by the author of the acclaimed best seller Silk.

Alessandro Baricco re-creates the siege of Troy through the voices of twenty-one Homeric characters in the narrative idiom of our modern imagination. Sacrificing none of Homer’s panoramic scope, Baricco forgoes Homeric detachment and admits us to realms of subjective experience his predecessor never explored. From the return of Chryseis to the burial of Hector, we see through human eyes and feel with human hearts the unforgettable events first recounted almost three thousand years ago—events arranged not by the whims of the gods in this instance but by the dictates of human nature. With Andromache, Patroclus, Priam, and the rest, we are privy to the ghastly confusion of battle, the clamor of princely councils, the intimacies of the bedchamber—until finally only a blind poet is left to recount, secondhand, the awful fall of Ilium.

Imbuing the stuff of legend with a startling new relevancy and humanity, Baricco gives us The Iliad as we have never known it. His transformative achievement is certain to delight and fascinate all readers of Homer’s indispensable classic.

  • Sales Rank: #784885 in Books
  • Published on: 2006-08-01
  • Released on: 2006-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.64" h x .82" w x 5.97" l, .79 pounds
  • Binding: Hardcover
  • 176 pages

From Publishers Weekly
Starred Review. Baricco made his name internationally with his debut, Silk (1997), and has since released three more well-received novels, most recently the war-themed Without Blood (2004). This prose retelling of the Iliad is sure to top them all. Baricco eliminates the appearances of the gods, adds an ending chapter (borrowed from the Odyssey) that recounts the famous incident of the wooden horse and the sack of Troy and—an ingenious touch—tells the story from the first-person viewpoint of various participants: Odysseus, Thersites, Nestor, Achilles. The famed physicality and violence of the poem are here ("the bronze tip... cut the tongue cleanly at the base, came out through the neck"), and Baricco doesn't sentimentalize the story—easy to do, especially with Helen. The larger plot remains: Agamemnon insults Achilles, the best warrior on the Achaean (Greek) side, who then refuses to further serve, which allows the Trojans to rally under their greatest warrior, King Priam's son, Hector. Achilles' best friend, Patroclus, receives Achilles' permission to help the Greeks, but is killed in battle. Achilles returns to the battlefield, succeeds in isolating Hector underneath the walls of Troy and strikes him down. Finally, Priam goes to Achilles' tent and begs for the body of his son, and Achilles grants his return. Medieval versions of the Iliad story conceived it in chivalrous terms, but Baricco conveys the real story, an epic of harsh dealings, small treacheries and large vanities. He adds only a few modern reflections to the character's thoughts: old Nestor, for instance, plays with the paradox that the young have an "old idea of war," which entails honor, beauty and glory, while the old take up new ways to fight simply in order to win. In an afterword, Baricco states that "this is not an ordinary time to read the Iliad," and his book is more than a pasteurized version of a great poem. It is a variation, and a very moving one, on timeless Homeric themes. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
This retelling of the Homeric epic is defiantly modern: it excises the gods and supplants the omniscient narrator with alternating voices, as one character after another—hero and bit player alike—is granted the opportunity to speak and shed light on the decade-long siege of Troy. Alluding to our current time of "battles, assassinations, bombings," Baricco's text lingers on the futility of an unending war, and casts the arrival of the thousand-odd ships as an invasion by an overwhelmingly superior force, met by young recruits throwing stones. Still, in substance, his version cleaves closely to the original. As in Homer, the lesser-known foot soldiers come to life only at the moment of their death, when they enter history; each killing is singular, and almost lovingly detailed—a sword pierces a skull and a man falls, "teeth biting the cold bronze."
Copyright © 2006 Click here to subscribe to The New Yorker

From Booklist
Baricco, the author of, among other highly regarded works, the shimmering novel ilk (1997), submits his own version, condensed from the original, of the classic epic poem he Iliad, and the result is a beguiling mixture of drama and prose poem. As he explains in the introduction, "I tried never to summarize but, rather, to create episodes that were more succinct while still made of portions of the original text. Thus the bricks are Homeric but the mortar and the resulting edifice are transformed." Updating a classic can be tricky, but Baricco's sensitive hands have wrought a dynamic, beautifully styled series of first-person testimonies from the major figures in the long-lasting Greek assault on the Asia Minor city of Troy, where the fair and absconded Helen lies in the arms of the godly handsome Paris. Familiarity with the original text is not essential for successfully experiencing this elegant depiction of warfare--yes, purely it is the story of war, with all the destruction concomitant to that situation; however, the characters achieve a remarkable individuality. Brad Hooper
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

1 of 1 people found the following review helpful.
Entertaining and educational if read with Italian version
By Amazon Customer
Entertaining on its own it makes a wonderful text to practice your Italian if you read it along with the Italian version much of which is available on Google books, look for:

Omero, Iliade, on Google Books

[...]

I am an intermediate student of Italian. I find the translation from Italian to English to be quite literal and the Italian is straightforward so I recommend the two as a parallel reader. The fact that the original Homeric story is well known and well told helps.

0 of 3 people found the following review helpful.
New look at an old tale
By WILLIAM SETTEN
If you think you know all about the Iliad, Baricco's book will delight you with the insights it brings to this oft told tale. A retelling of the masterpiece from the perspective of the participants, this delightful volume is another great example of Baricco's imagination.

22 of 24 people found the following review helpful.
a truly bold reimagining: approach with an open mind
By Jane, reading groupie
I am as close to a Homer purist as you will find: BA and MA in classics. Of course this book is no substitute for Homer's original: that narrative defined all western standards for storytelling. But I must give Baricco the highest marks for crystalizing and presenting (quite powerfully) the elements of the Iliad that are still relevant to human circumstances. We no longer believe that a pantheon of gods intimately involve themselves in the lives of a few heroic figures. It is therefore the job of the modern interpreter to find the purely human motivations that haven't changed over the millennia. This Baricco has done superbly. The characters do not all sound alike, as the other reviewer claims: that's just wrong. As one who has studied Homer line by line in the original, I have as much reason in theory to be bored or unimpressed by this project. But I am not. It made me think about the original in a new way, and that's no small feat.

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