Shoosurgh: April 2013

Monday, April 29, 2013

[Z253.Ebook] PDF Download Mental Retardation, by James R. Patton, James S. Payne

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(Merrill) Univ. of Alabama, Birmingham. Introductory textbook features key words and learning objectives. Concentrates on basic concepts; biology, psychology, and sociology of mental retardation; intervention issues; and family considerations. Illustrated in two-tone. Previous edition: c1998.

Sales Rank: #8738217 in Books
Published on: 1985-10
Original language: English
Number of items: 1
Binding: Hardcover
544 pages

From the Publisher
Announcing the new edition of the leading Introduction to Mental Retardation text for special educators and human service personnel, one that combines the most current research with a wealth of classroom experience to create a text that is both lively and engaging...never overly technical...yet firmly grounded in scholarship. Thorough updating makes the new Fourth Edition the best source available for information on current practice, ongoing research, legislation and litigation...as well as for a thoughtful analysis of recent trends and attitudes in society, politics, and the government. The text focuses on the unique relationship between the special educator and the learner with retardation. As it has through three highly successful editions, it again offers a comprehensive, yet succinct introduction to the field--from history and background, to the day-to-day problems of citizens with retardation and their place in society--written with a compassion and humanity that always comes through.

From the Back Cover

The market-leading text, Mental Retardation, Sixth Edition, continues to provide educators with timely information about the causes and characteristics of individuals with mental retardation across the lifespan.

A new chapter on assistive technology covers strategies and current trends in the field, benefits of assistive technology, related legislation and policy issues, teacher competencies for successfully implementing assistive technology, and assistive technology across the lifespan.
A reorganized table of contents introduces students to the growing importance of legal issues earlier in the book, and divides the material on causes of mental retardation into two chapters to address the wealth of new research on biological and social causes.
A new companion website, located at http://www.prenhall.com/beirne-smith, is integrated into the text via margin notes that cue readers to relevant online activities and resources, such as multiple-choice quizzes, links to related sites, article responses, and case studies. Students can also communicate with one another using the message board and chat room tools, and faculty can post and maintain syllabi using the online Syllabus Manager tool.

To view the website that accompanies the text, please go to http://www.prenhall.com/beirne-smith.

About the Author

Mary Beirne-Smith is associate professor in the Programs in Special Education at The University of Alabama. Her previous experience includes general and special education classroom teaching and public school administration. Her research interests center around academic interventions for students with mild learning disorders who are included in general education classrooms. She is currently involved in implementing a collaborative consultation project with several local education agencies. Mary received her M.Ed. and Ed.D. from the University of Virginia.

Richard E Ittenbach is a biostatistician in the Division of Biostatistics and Epidemiology at the Children's Hospital of Philadelphia. He has written numerous articles on the adjustment of persons with mental retardation, young adult development, and issues pertaining to the measurement of mental and special abilities. He received his Ph.D. in Education/School Psychology from the University of Alabama in 1989.

James R. Patton is the executive editor at Pro-Ed and adjunct associate professor at the University of Texas at Austin. He has experience teaching students with special needs at the elementary, secondary, and post-secondary levels. His research interests include curriculum development, life-long learning, instructional methodology, and teaching science. Currently he is developing integrated curricula and life skills programs. Jim earned his B.S. from the University of Notre Dame and his M.Ed. and Ed.D. from the University of Virginia.

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Wednesday, April 24, 2013

[W603.Ebook] Free Ebook Design Fundamentals: Notes on Type, by Rose Gonnella, Christopher Navetta, Max Friedman

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Design Fundamentals: Notes on Type looks like a design student’s sketchbook with handwritten notes and full-color, hand-drawn illustrations. But it’s more than that. This gorgeously illustrated “notebook” is a full-blown typography course in disguise. Young designers are lured in by the lush graphics and quirky layout only to discover by the end of the book that they’ve learned all of the key concepts taught in a foundational course on type. They’ll learn about the history of letterforms, the anatomy and physiology of type, the basics of measurements and spacing, how to recognize and choose type for design projects, and more.

Fun and fast-paced, this creative notebook isn’t required reading, it’s desired reading; and it’s the third in a series of Design Fundamentals books that students will want to keep and enjoy long after they’ve mastered these basic building blocks of design.

This book includes:
• Core instruction on the history, anatomy, and structure of type
• Direction on the basics of measurement and spacing: leading, kerning, indents, and line lengths both in text and display sizes, and optical measurement considerations.
• Examination of the use, mood, and “voice” of type as seen in creative work and professional examples
• Exercises and projects for practice and concept development
• Strange and delightful illustrations created specifically for this book (to inspire action)
• A companion website stocked with additional projects, a bibliography, glossary, and links to additional visual examples.

Sales Rank: #443798 in Books
Published on: 2015-10-28
Original language: English
Number of items: 1
Dimensions: 7.90" h x .70" w x 5.50" l, .0 pounds
Binding: Paperback
216 pages

About the Author

Rose Gonnella is the Executive Director of the Robert Busch School of Design at Kean University in Union County and Ocean County, New Jersey, and Wenzhou-Kean University, China (2015). Gonnella has taught graphic design for over 25 years including courses in design theory and materials and techniques. She currently serves on the executive board of the Art Directors Club of New Jersey (ADCNJ); is the Director of the Kean University/ADCNJ "Thinking Creatively" design conference; and she also directs and guides Kean Cre8tive, the RB/School of Design in-house graphic design studio.

Christopher J. Navetta’s diverse career boasts an eclectic group of clients and employers that includes Wendy’s, Kay-Bee Toys, Natural Wonders, Jersey City Public Schools, Thomson Delmar Learning (now Cengage), PFLAG, Prentice Hall, Six Flags, the Mall of America, and Nickelodeon. He is the co-author and designer of Comp It Up: A Studio Skills Foundation, and a contributing writer, designer, researcher, and photographer for Design To Touch: Engraving History, Process, Concepts, and Creativity. He currently teaches design at Kean University, and has worked on developing curricula for undergraduate courses and a summer design program for high school students.

Max Friedman is an illustrator, designer, and filmmaker currently attending Kean University’s Robert Busch School of Design.

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0 of 0 people found the following review helpful.
One of a kind.
By Amazon Customer
Engaging and hilarious.

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Friday, April 12, 2013

[D340.Ebook] PDF Ebook Engineering Ethics (4th Edition) (Esource), by Charles B. Fleddermann

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Engineering Ethics is ideal for use in undergraduate engineering programs incorporating ethics topics.

Engineering Ethics serves as both a textbook and a resource for the study of engineering ethics. It is written to help future engineers be prepared for confronting and resolving ethical dilemmas that they might encounter during their professional careers.

Sales Rank: #506798 in Books
Published on: 2011-08-14
Original language: English
Number of items: 1
Dimensions: 9.90" h x .60" w x 7.80" l, .51 pounds
Binding: Paperback
192 pages

From the Back Cover

Esource—Prentice Hall's Engineering Source—provides a complete, flexible introductory engineering and computing program. Featuring over 15 modules and growing, ESource allows engineers to fully customize their books through the ESource website. They are not only able to pick and choose modules, but also sections of modules, incorporate their own materials, and re-paginate and re-index the complete project.

About the Author

Charles B. Fleddermann is a professor in the Department of Electrical and Computer Engineering at the University of New Mexico in Albuquerque, New Mexico. All of his degrees are in electrical engineering: his Bachelor's degree from the University of Notre Dame, and the Master's and Ph.D. from the University of Illinois at Urbana-Champaign. Prof. Fleddermann developed an engineering ethics course for his department in response to the ABET requirement to incorporate ethics topics into the undergraduate engineering curriculum. Engineering Ethics was written as a vehicle for presenting ethical theory, analysis, and problem solving to engineering undergraduates in a concise and readily accessible way.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Rating book it delivery service? Delivery 5* book. ...
By Alex
Rating book it delivery service? Delivery 5* book... just another overpriced textbook. Little to no material contained within that's not common knowledge.

1 of 1 people found the following review helpful.
Engineering Ethics? Hell yeah!
By John S
It's a book filled to the brim with case studies. Great for ethics classes, and pretty interesting also. Got it for my PHILOS 1332 class during OSU's May Mester.

0 of 0 people found the following review helpful.
Good, solid book on an important subject !!
By JOHN OBRIEN
Very much enjoyed the book and found myself thinking I was glad to have stumbled into it. I don't think I agreed in all cases with his judgments, but I may have been the problem there.

Only criticism: much of his instruction was built around the very large, public case histories. The real challenge to engineering ethics are those that arise from the smaller, everyday challenges in workplace culture, personal habits of practice, etc. Would have liked a little more emphasis here.

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Thursday, April 11, 2013

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Original language: French
Dimensions: 9.45" h x 1.77" w x 12.01" l,
Binding: Hardcover

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Wednesday, April 10, 2013

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Sales Rank: #181084 in Books
Published on: 2014-02-07
Original language: English
Number of items: 1
Dimensions: 11.70" h x .10" w x 8.80" l, .50 pounds
Binding: Mass Market Paperback
48 pages

Most helpful customer reviews

0 of 1 people found the following review helpful.
High Quality Artwork !
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0 of 1 people found the following review helpful.
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0 of 1 people found the following review helpful.
Five Stars
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Item arrived in great shape. No complaints here!!

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Monday, April 8, 2013

[B893.Ebook] Download Italian Horror, by Jim Harper

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Italian Horror, by Jim Harper

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ITALIAN HORRORS covers Italian horror films released between 1979 and 1994. Why those years? Well, primarily for convenience. They mark the release dates of Lucio Fulci's ZOMBIE, the film that instigated the last great wave of Italian horror, and Michele Soavi's DELLAMORTE DELLAMORE, the last great Italian horror film. After the release of Soavi's film, relatively few new Italian horror movies were made; the trend had run its course, and such films were no longer seen as commercially viable. The aim of this work is to guide the unfamiliar viewer to the best films of the period, while hopefully steering him or her away from the dross.

Sales Rank: #2272283 in Books
Published on: 2005-09
Original language: English
Dimensions: 9.00" h x .57" w x 6.00" l,
Binding: Paperback
252 pages

Most helpful customer reviews

41 of 44 people found the following review helpful.
There are far better ways to spend $25
By M. Theologidis
If you're reading this then you are most likely a die-hard horror afficionado like myself. Of course any die hard fan already knows to some extent of Italy's incredibly diverse and prolific b-movie industry, the horror scene a pivotal part in it.

I'm sorry to say that Jim Harper's book falls terribly terribly short of the occasion. A monstrous disappointment, an altogether haphazard effort that barely even scratches the surface of the subject it purports to discuss and ignores arguably the best era of Italian horror. The early 70's. The book spans the period from Lucio Fulci's "Zombi 2" (1979) to Michele Shoavi's "Dellamorte Dellamore" (1994).

Why anyone setting out to create a convincing roadmap of the Italian underground scene would decide to completely omit the 60's and 70's, arguably the zenith of a genre that was quick to decline, mystifies me. What about the dozens of gialli that emerged in the early 70's? What about Dario Argento's 70's work, which includes (well known yes, but essential in any book about Italian horror) such gems as Profondo Rosso and Suspiria? What about master craftsman Sergio Martino, perhaps only second to Dario Argento in the giallo realm? What about second rate but competent genre directors like Aldo Lado, Duccio Tessari, or Pupi Avati? What about the godfather of Italian horror, maestro Mario Bava? It's Mario Bava we're talking about here, how can a book titled Italian Horror NOT feature extensive writeups on the man who almost single-handedly defined the genre? You guessed it, there's nothing of the above to be found here and "Italian Horror" immediately stops being an essential book on the subject right there and then.

What "Italian Horror" ends up offering instead is a series of reviews on schlocky psychotronic exploitation b-movies that span the 80's and early 90's. You're asking; couldn't I just read up on all these flicks on IMDB? Definitely. Is Harper's critical analysis so insightful as to warrant $25 despite all that? Absolutely not. Mr. Harper doesn't even seem to be a journalist, film scholar, or at least passionate fan. He lacks the eloquency, power of convinction, and capacity for subtextual analysis or at the very least the entertaining prose, to make his texts worth reading. IMDb reviewers write better. Simply put, at no point did I feel I was at the hands of a master.

To add insult to injury, Harper evinces no passion at all for the subject. Does the guy even LIKE Italian horror or is this simply a case of exploiting a bibliographic gap for a quick buck? Sure, no one claims Paganini Horror is a staggering masterpiece of modern cinema. Ratman will probably never be mentioned in the same breath as Citizen Kane and Metropolis and Fulci is a bit short of Tarkovsky and Bergman. But when you set out to write a book about all these things, surely there must have been something that attracted you to them in the first place. Harper's writing offers no clue as to what that "it" was.

I'm not arguing that most of the movies featured here aren't bad movies. No, but they still carry with them a psychotronic charm that makes us love them, despite (or perhaps because of) their obvious flaws. If you're ready to shell out $25 for a book about Italian horror, much less write one about it, that means you have already come to terms with their flaws and still love them.

Now the back cover reads "Italian Horror covers Italian horror films released between 1979 and 1994. Why those years? Well, primarily for convenience."

If you want convenience, then don't write a book. Good things come to those who try and frankly Harper didn't try hard enough to make this book worthwhile. I suggest taking a page from Stephen Thrower's massive tome "Nightmare USA", which offers a rich probing informative insight into American exploitation, and how well and in depth the subject matter is handled, not to mention all the photos, stills, posters, interviews, reviews and critical analysis. This pales by comparison. I mean, you're writing a book about Italian horror. How hard would it be to track down and interview Dario Argento, Ruggero Deodato, Michele Shoavi and Lamberto Bava while they're still alive?

Jim Harper offers nothing that can't be found on IMDB. At the exorbitant price of $25 for the relatively small size of the book (a little more than 200 pages), the poor handling of the subject matter and the altogether lackluster edition, I suggest waiting for the definitive book on Italian horror. This isn't it.

19 of 21 people found the following review helpful.
Terrible...
By William Lecklikner
This book is one of the worst I have ever read on ANY movie genre. I am a die hard horror fan, especially when it comes to Italian horror. But the author wrote this book as though he were not a fan of the genre. I liken it to reading reviews by someone like Roger Ebert when he id looking at the horror genre. These films ARE NOT trying to win Oscars. They are made for fans of blood and gore and sometimes a plot. Please do not waste your money on this book.

8 of 18 people found the following review helpful.
BRILLIANT LOOK AT AN OVERLOOKED HORROR GENRE
By Tim Janson
I'll admit I am no expert on Italian Horror films but as I read through Jim Harper's fantastic book, I was surprised at just how many of these films I had seen. I chalk that up to two things: First having a girlfriend in the 1980's (who is now my wife) who loved horror films, and second, having a number of drive-in movie theaters in my area which always made for a cheap date for a young guy on a budget.

Whether you are an Italian Horror aficionado or just a casual fan, you'll definitely enjoy Jim Harper's book because he IS an expert in the genre. Harper begins "Italian Horror" from Midnight Marquee Press, with a detailed history of the industry and it is a wonderful primer for fans of the genre. We learn about Italian horror pioneers like Mario Bava, Antonio Margheriti, Dario Argento, and Ovidio G. Assonitis. Heavily influenced by American films, these early Italian horrors quite often worked on themes presented previously in their American counterparts with takeoffs on movies like "The Exorcist" "The Omen", "Alien" and "The Amityville Horror". What many casual fans like myself recall about the Italian films were the sub-genres: Cannibal films, zombie films, slashers, and others. They ended up becoming their own cottage industry, building on what American directors like George Romero, Wes Craven, and John Carpenter created, and doing so on budgets so tiny they make "Halloween" look like "King Kong". As harper points out, American films typically had advertising budgets that were bigger than the budget of many Italian films!

While Harper goes back to the 1950's with his history, the main thrust of the book is Italy's peak period of horror from 1979 through 1994. Harper clues readers in on this rise and eventual fall of horror in Italy with American films helping to lead to the decline because they were simply cheaper for Italian TV networks to show than their native counterparts.

The bulk of the book is a nearly 200 page guide to Italian Horror featuring over 100 films complete with title (as well as any alternative title names), year of release, cast and major credits, synopsis, and Harper's critique of each film which is the major reason to buy this book. These films range from the Argento classics like "Inferno", "Opera", and "Tenebrae"; Lamberto Bava's "Demons"; and Lucio Fulci's "Zombie to bottom of the barrel stuff like "Hell of the Living Dead" and "Dawn of the Mummy".

I was pleasantly surprised by the inclusion of "Dellamorte Dellamore" which I didn't realize was an Italian film. You probably know this film by its American title "Cemetery Man" that is one of the most quirky and fascinating horror films I've ever seen and stars Rupert Everett.

"The Gates of Hell", "The Seven Doors of Death", "The Church"...they are all here in this great book. The book also features bios of the major Italian directors, screenwriters, and technicians and a comprehensive bibliography. Harper sheds the spotlight on a genre that has been overlooked, and often disregarded by critics. You'll have a great time tracking down some of these great films for your own viewing.

Reviewed by Tim Janson

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